Poncho Peligroso’s “the romantic”

                Poncho Peligroso is a poet worth blogging about. Besides working tirelessly in his newly appointed position of 2011 Poet Laureate he managed to come out with a book called “the romantic”. At 10,000 words, this is the largest offering of Poncho I’ve ever seen, a gathering of some of Poncho’s previous poems. Usually I get smaller portions. But the main question should be: Is “the romantic” good? Having read this book a few times, I can answer with a resounding yes. 

                The book is structured in an emotional way. Besides his humorous poems you’re treated to some extremely personal, anxious and oftentimes sad poems dedicated to an unknown girl. Whoever this girl is must be someone the narrator cares deeply about and perhaps even loves, hence the title. Some of the saddest ones involve the pains of distance, of moving away, and of finding out exactly how to care about other people. Common themes running throughout the poetry book include paranoia, humorous violence (in absurd chaos fashions involving personal hygiene and boners, boner chaos if you will), death, geography, love, beauty, and the emotional attachment that comes with the internet. 

                My favorite poems are those which effectively create an implied space or story. In poems like “watching you type” you get the feeling of an entire story behind these few interactions. Little lines reference what may or may not be a relationship. By not explicitly stating it the reader can make their own inference into what the poem is trying to convey. Towards the end of “the romantic” the humor is stripped away to a large degree revealing its heart. Reading the final poem entitled “the romantic” I peered into Poncho’s past, not as a poet, but as a person. It chronicled his evolution into the poet, the same one I wrote about months ago, about how he was a person who had just discovered himself. Upon finishing this chapbook I stand by that earlier statement: he has found himself in this language.

                I laughed and had tears well up a little bit. This may be due how much of this applies to me: I’m leaving the state I grew up in, much like Poncho is leaving the house he lived in for most of his life. We’re both traveling to new places. Even the way he writes about love is how I would like to if I could. But I’m not sure if I could.

                You may not know this due to a lack of Podcasts but I’m an even-tempered sloth rare to show any glimpses of ‘genuine emotion’. Lately I’ve begun to experience this emotion commonly known as ‘love’. Actually I’m not certain if I’m doing it right: oftentimes I can’t speak, despite being perfectly articulate. I feel it is tough for me to say exactly what I mean, to cut through all these words to a few, simple direct phrases. Oftentimes I feel our language limits us by providing so many options. We skirt around the words we want to say rather than use those direct, easily definable ones. Sometimes I’m asked a question an extremely personal one and I can’t answer. My eyes dart, I don’t want her to see my tears welling up. My voice stays silent; I can’t have my voice crack. Staying silent allows me to retain the idea in my mind that I’m macho, something that I’m definitely not via reality. Finally, once I answer and have my voice nearly crack from the emotional pressure I immediately go in for a hug and press my face against her shoulder. I love that hug. I love that person. They can’t see my tears rolling down my face. Better they feel them on their shoulder. After they hug back I know they understand, like they said ‘yes’ but with a physical confirmation. 

                “the romantic” makes me realize I’m not alone in feeling this way. Poncho cuts through all the circular speaking we employ in our day to day lives. Often this direct language can be extremely powerful, ungarnished by superfluous words. It can be difficult to read, harder to write. When writing it is hard to be honest with oneself but Poncho is perhaps one of the most honest writers I’ve read in quite some time. It’s a beautiful book.

Cut your Hair

                People came from all over the world to see Stephen Tully Dierks get his hair cut on ustream. I hoped for the best. The audience worried a little bit. Most poets have to cut their hair on their own due to financial problems. By having friends cut your hair you save money, money which can be used for food, shelter, and two pairs of jeans. 

                “We will find a Way” by Poncho Peligroso got read by Stephen Tully Dierks. This was posted June 8^th. I consider this the fastest you can get your poetry read. Published in the morning and read late at night is a pretty quick turn-around. Most publishers couldn’t pull this off. Poncho is no ordinary poet; he is the 2011 Poet Laureate for a reason. Stephen began the reading strongly with Poncho’s hot-off-the-presses poem. 

                Steve Roggenbuck focused on Ron Silliman. Ron is a poet who has written twenty books which are part of a total poem called “Ketjak”. This has become his life work. Beginning in the 70s to today his life’s work is massive. You can’t really understand how massive it truly is to have so much material working with itself. I can see why Steve enjoys Ron’s work. The idea of a “Memeplex” where countless ideas are brought to work for one great purpose is something Steve’s mentioned on his blog before. I hope that Steve is able to create his ‘master work’ as he’s on something of a ‘roll’ lately. 

                “I worship Satan” was written by Sam Pink. As Stephen got his hair cut he multi-tasked with reading. Being a Satan worshiper allows you unlimited amounts of free blood. Sam Pink writes positive poetry about imagining his brutal death. Brutal death is funny according to Mr. Pink.  “Frowns Need Friends Too” is the name of his book filled with these life-affirming messages. “Goth Girls make me horny but also make me laugh” summarized my entire time in High School. Part of me still has a certain, near-grudging respect for the Goth subculture. Listening to the poem reminded me of how I used to be, like I was visiting old me. 

                Chicago Neo-Realism came into being as we shifted between watching Stephen’s hair get cut, reading tweets, and learning more about poetry. Due to the reading in the middle of the week it had a laid-back feel. Usually we see a bunch of readers come and go. Going between two of my favorite readers (Steve and Stephen, the Chicago Superhero duo) made me so happy. They were happy enough to record it too. 

                Expansion of the poetry selection helped considerably. Finding poems on Google made the reading much funnier. One poem, called “An Erotic Poem” by Romeo Della Valle came up. Had we not decided to search for new horizons it might have remained hidden. Sharing it with you I refuse to comment on it. Read it aloud and feel the passion Romeo felt for his long lost love. It breaks my heart to picture Romeo alone without his companion. Hopefully Romeo found someone else who shares his passion for life. 

                This ended up being a pretty amazing ustream. Besides doing the usual poetry readings, Steve talked about flarf criticism and criticism of the boykitten movement in general. I liked hearing it from other people’s perspectives. Obviously I’m very interested it this but I always wonder how people react to criticism. Since I’m basically a sloth I don’t really receive much criticism besides being named after a sin. Excluding that, I got nothing. We’re lucky though. Both members of the ustream plan on revolutionizing poetry for a long time. Just keep in mind that age old advice when people try to bring you down:

                Live your lief!

Poetry by Emily Dickinson

               Welcome to the Boykitten’s (or humanity's, take your pick) most collaborative effort ever! Poetry by Emily Dickinson is for all to partake in its many pleasures.  Steve Roggenbuck is the mastermind behind this deceptively simple concept. Multiple levels of collaboration are built into the concept. This allows people the ease to take part in the project in as big or as small of a role as they want. 

                Two roles are available to anyone interested.  You can work as a remix/editor of the material once it has all been compiled. Some material might be usable as-is, but other material might require forms of editing or rephrasing. While this may be wonderful work, going through the process of editing (and you can contact Steve at   steveroggenbuck[at]gmail.com for information on this) there’s a second role to play as well. 

                You can tag your tweets with #poetrybyemilydickinson. Any tweet with this tag will be considered as source material for this poetry project. So instead of using twitter for whatever you’re supposed to use twitter for, you can actually contribute something to literature and society in general. What Steve wants to do is show that Twitter and blogs are not useless for writers, but actually an important instrument in creating new bodies of work.

                Going through the tag, I’ve been introduced to countless new twitter friends and followers, including the 2011 Poet Laureate. I’m not sure if this is one of the desired results of Steve’s project, but it is an additional benefit. If you bother reading all the tweets under the hashtag, you’ll see a vast variety of people and ideas. Somehow, Steve’s managed to create an entire community of poets based off of a single phrase. These people have begun to follow and re-tweet each other. Already I have this as one of my saved searches, and I check up on it to see how people are doing. Personally, I don’t know how Steve is going to deal with re-tweets of the better ones (or more interesting ones).

                Part one involves the creation of this vast body of material. What I’d suggest is for you to do it, in order to create an even better project. The more participation this gets, the better it will be. Additionally, you might gain new followers and discover new online poets at the same time. Or you might become interested in poetry, which would accomplish another one of Steve’s goals. 

                Of course, Steve wants more people to get interested in this art form. Hopefully, by having such an easy way to encourage participation, he’ll be able to attract plenty of new people who otherwise might not have engaged or thought about poetry. That’s one result. Another will be the hope of Google-bombing the phrase “poetry by Emily Dickinson”. 

As I’m writing this, I notice the exact (un-spaced) phrase of ‘poetrybyemilydickinson’ is already the third result on Google search. So perhaps with a few more tweets, this can become the number one result. Steve’s calculations suggest this would hijack roughly 50,000 visitors per month. Instead of people simply finding out more about some dead person, they’ll find out more about an alive and kicking Steve Roggenbuck, a boykitten in the truest sense of the term.  Consider Steve the Santa Claus of online poetry, wrapping up gifts for your brain. 

                I encourage everyone to partake in this fun and interactive collaboration. Join the party. Participate today. Learn how to engage others through the power of poetry!

PS:

 If you would prefer to have poems of over 140 characters, there is another option as well. The fantastic concept is you ask to be added onto the author list. After that, you’ll be approved to publish a poem on there, full-length. Double-posting is not allowed, meaning if you’re the most recent poet, you need to wait until there’s a new submission. Go here "Let People Poems" to learn more about this wonderful site. Thank you.  

Internet Poetry

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Poncho Peligroso: 2011 Poet Laureate

               I think I’m starting to get sucked into the world of online (or maybe Real Life) poetry. Poncho Peligroso may be one of those people who might help get me more into poetry. Reading his tumblr explaining how he became interested in poetry sort of resonated with me. Rather than coming about as something forced, it happened almost by pure chance, due to a technological limitation.

                Now he’s become something else, something far greater than his humble Texan origins might have suggested: he is in the running to become the 2011 Poet Laureate. This honored position offers a great deal of prestige and money. As the Poet Laureate, he’ll be able to offer the President sound advice in both economic and military spheres through the power of poetry. In case this boon wasn’t enough, the $35,000 offers him the ability to life the high life, in places as diverse as Bozeman, MT, Buffalo, NY, and Colfax, WA. These places are fully American according to the 2010 US census, since Congress had determined a requirement of all Poet Laureates is to ‘live off the land’ like a true American.

                Archer M. Huntington originally funded the project as a gift. Seeing the despair going around during the Great Depression, he thought of what America really needed to get itself out of the doldrums. Looking around at all the unemployed poets eating out of his trash cans, he created a $35,000 stipend to allow them to explore their art and eat. 

                Why do I think Poncho Peligroso has a chance at winning this prestigious award? To you, I simply direct you to the 2011 Poet Laureate. Having read his work, I can assure you it is only of the highest quality not only on the internet, but anywhere. Single-handedly he’s been able to create a vast outpouring of work unrivaled in the underground poetry scene. His tumblr exudes the confidence of a man who has just found himself.

                He states how he hadn’t voluntarily written poetry until 2010. The long, circuitous route he traveled to get there speaks to the failing of twenty-somethings: the constant problems, financial, professional, and otherwise. Our parents had it easier. All they had to worry about was some foreign power launching an Atomic Bomb against the United States. You know, simpler times.

                The 2011 Poet Laureate knows these are trickier times, know what needs to be said and also unsaid. For a lot of poetry derives its power for the implied spaces, people and places it never states explicitly. Please take a moment to discover this true literary icon doing something he truly loves. Maybe someday all of us will find our true calling, until then, we can watch others.