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Showing posts with label James Joyce. Show all posts
Showing posts with label James Joyce. Show all posts

The Zen of Boredom

                “The Pale King” David Foster Wallace’s last book came out right in time for tax day. I’ve never read any of his work before but I have started my ritual stalking of the author’s life details, focus, writing style, etc. Usually when I decide whether or not to read an author’s work, I do some preliminary research on whether or not I can relate to the work at hand. Thomas Pynchon went through this phase before I got “Gravity’s Rainbow” and James Joyce went through this before I got “Finnegans Wake” (though in hindsight probably should have started with “Ulysses”). For “The Pale King” I feel the subject matter may appeal to me.

                According to the little I’ve gleaned from reading about it, it focuses on the idea of boredom as a form of Zen. Characters have to figure out exactly how to handle the often tedious nature of their work. I first put my hands on this book in perhaps the best place for tedium, the Port Authority, a place completely devoted to transit and devoid of any meaningful kind of entertainment, interest, or much of a purpose besides housing countless bus lines going to places of dubious interest. New Paltz, I love you but you’re really quite small in the grand scheme of things. 

                I’ve been thinking about that one central idea, the ability to find enlightenment in the most boring places imaginable. Over five years have passed since I began my training under the best dull had to offer. Working in an office sort of prepares you for near-useless, archaic knowledge that may or may not be transferable anywhere else. But while some of that knowledge may not have value, it does teach you the importance of killing time and learning how to appreciate others. How do you manage your time to make sure you accomplish whatever has been set in front of you while still creating a small amount of time for human interaction. Any office job virtually guarantees you’ll learn this skill or go hopelessly insane. 

                Balance is the best word I’d have for this, but it is somewhat incomplete. Sometimes you need to do both work and focus on people at the same time. Zen might be the phrase for this, where you focus on your work peripherally while you are emotionally attached to what is going on around you. Concentration is needed for this skill and you do need a certain amount of knowledge in order to pull this off, but the rewards are amazing. Essentially you are able to do two things at once. While computer screens whiz by as you have the hot-keys memorized, you’re able to avoid being deadened by the sheer tedious nature of the data, of the information. You are aware it is there and what you need to do to interact with it, but you shouldn’t try engaging with it on a heavier level. 

Focusing too intensely on work can often lead to feelings of sourness, of questioning other people’s contributions. This is what I would call the ‘sour’ phase of work, one you really ought to avoid. Questioning what others do or how valuable they are isn’t something that you, as a mere peon (I doubt I have many managers reading this) should be doing in the first place. You’ll begin to put a value on everything everyone does, giving a monetary rather than a more human response. Eventually you may become more emotionally distant from your coworkers and you’ll notice a certain tension growing between you and them. Sure, there will always be egregious examples of the ‘useless’ coworker and that will happen. But try to limit the amount of these negative thoughts. Instead, try to focus on similarities or what you enjoy about the person, that way if criticism ever comes up you can offer ‘constructive’ criticism rather than something bitter.

Waiting forms another large chunk of time we have to spend. New York is a prime example. The city never sleeps since there are so many things to wait for, from buses, trains, lines, tickets, money, food and etc. That’s why I thrive in a city environment. I never understood why people say “in a New York minute”. Nothing I consider worth doing takes a minute or less. Connections mess up. You forget what line to take. Food preparation takes a long time. If anything, I feel by having a giant metropolis you have to accept the idea things will move slowly and ‘all representatives are currently assisting others. The next available representative will be on the line to assist you shortly.’ 

That’s why I can be a sloth in the city. I know how to wait. I know how to be bored. I know I may not always make everything, every train or meeting at a precise time that I want. Automatically I build this into everything I do. Occasionally I’m even given little electronic boards which tell me when the next train is coming, but I can’t really do anything to make things move faster. My expectation remains I may or may not get lucky or my own intuition may improve. Keeping this in mind I have a few different scenarios play out in my head as I’m on my way somewhere, each serving as a back for any given situation.  

David Foster Wallace brought me to think about this expectation we create. I’m not sure whether or not his deliberate goal was to make us think about how we use time or how we interact with others, but I’m glad he decided to focus on such a massive part of our lives. A part of our lives edited out of books, writing and so forth rather than celebrated in its own right. So much writing edits out the gritty little details leaving us with a glossy sheen which is why his posthumous novel excites me. Does a broken escalator force people to move faster since they have the idea it should be moving faster, or do people enjoy running up stairs to see if they can beat that languid machine? I see this all the time, of the little kid outrunning his parents by taking the stairs. Then he stands up on top, thinks, and waits for them to realize the folly of their ways. He’s not even thinking about the extra time he’ll be up there, waiting for them. For the child, he has focus and understands the importance of waiting, of boredom. 

Boredom can be a relieving factor. It can drive people crazy. For literally the least interesting thing in the world, it is a surprisingly divisive issue. Maybe I should get “The Pale King”. What do you think?

An American Hero: Tony Danza


America gives opportunities to so many people, both here and overseas. Each year millions come to the US to study, learn, raise a family, and contribute to our economy. However successful these people may be, they fail in comparison with the almighty Tony Danza.

                Tony Danza has gone through life without learning English. It amazes me how someone who speaks a dialect foreign to nearly every other human being has been able to get ahead. Not only has he worked as a boxer (where speaking generally isn’t very important) but as an entertainer, a profession which usually requires knowledge of a pre-existing language.

                Much like James Joyce’s “Finnegans Wake”, Tony speaks in a language that works with and against the English language. Occasionally he is able to be understood, but for the most part the listener only hears grunts between prepositions. Usually the listener has to try and decipher whatever emotion is coming through the grunts. In this way, one is able to at least get a feel for what message Tony is trying to convey. Perhaps this focused Tony’s mind so his television and film work could impress upon the viewer the importance of tone and body language.

                His mind works poorly due to his heavy involvement in boxing as a young adult. Due to his work in that field, he only responds to the name “Tony” hence that being used for his characters’ names in much of his work from “Taxi” to “Who’s the Boss?” In both of these shows, you got the impression of a lovable, sloth-like fellow trying to keep up with his fellow man and miserably failing.

                After the 1980s, apparently acting ability became the in-thing and Tony’s career suffered. Dramatic rises in TV quality in the 1990s forced Tony into a difficult situation, and he mostly earned money through being a human guinea pig for untested pharmaceutical drugs and recycling aluminum cans.

                In the thick of the worst counter-insurgency of the Iraq War, Tony was given his own talk show to rally the troops. This seemed ironic, given that Tony’s greatest ability was not speaking, but the show proceeded. Upon beginning his show, the tide turned in the Iraq war, and while some attributed this success to working with local leaders, others stated it was due to Tony’s unclear but generally well-meaning message which prevented a potential civil war. Even a metal band found inspiration from him, a band called “The Tony Danza Tap Dance Extravaganza”.

                Since Tony gave so much to the country that treated him well America decided to give even more back. Along with providing him a comfortable, upper class lifestyle they created a reality show called “Teach: Tony Danza”. This show documents the struggles others have trying to teach Tony simple tasks like making change for a dollar and how to write his name in script. At time harrowing, it is a raw look into the heavy stupidity that Tony lives each and every day. Yet, despite his obvious idiocy, he remains a good and decent person, and one who has truly achieved the American Dream. God bless you Tony Danza!