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Showing posts with label The Residents. Show all posts
Showing posts with label The Residents. Show all posts

100 Records That Set the World on Fire….While No One was listening



               Lists are helpful. The Wire put out this list before the turn of the millennium, so there was bound to be some stuff too recent to get an accurate appraisal on. Some of the stuff they recommended on here ends up being pretty good, with maybe a bias or lean towards jazzier stuff. Thankfully they avoided the fate of Nurse with Wound list; their selection includes a fairly diverse group of artists and genres.

                Browsing quickly through the list, there are some great picks. Charles Ives would be one of them, even a century later he’s yet to receive the attention he deserves for his groundbreaking work, in the early 20th century no less! Part of my adoration for Ives has to do with how he balanced a professional career with his more artistic inclinations. Maybe that’s a bit of an inspiration of how I could do the same thing.

                Unfortunately, like many of these “Look at our Great Taste” lists, there are a few expected mentions and some dullards. Faust gets mentioned on virtually any music snob’s taste, as does Captain Beefheart and a few others. Though these lists ostensibly are a reaction against the monotony of having the Beatles and the Beach Boys plastered everywhere, they fall into similar habits. Jazz gets a huge amount of attention. Some of the selections of the artists seems accurate, but their precise recordings a bit questionable. For the Residents, they pick an EP of theirs rather than one of their full-length weird-outs, like “Fingerprince” or “Not Available” which are more easily available.  A few other artists suffer from this, the “we listened to their whole discography and picked the most obscure release” syndrome. Sometimes this is a good idea, since it attracts attention to something which normally gets overlooked, but in some of these cases that’s just not the case. 

                The dullards are quite dull. Esquivel isn’t a great innovator by any means; even his most experimental stuff probably gets played in your local elevator. Choosing a William S. Burroughs audio tape from the 60s seems a bit silly too, especially considering how he did more interesting stuff later in life with bands. Oh, he’s dryly reading. How exciting. I’m a fan of his work too, but I can’t see myself being wowed by his voice alone. This might be more of a personal preference of mine. 

                A great deal of these I haven’t heard. What I will be doing for these will be tagging whichever ones relate to the list with the phrase: “100 Records that set the world on Fire” for easier navigation. I hope by going through these I’ll stumble upon some excellent material and edit out the dross for you, the listener. Despite some of my reservations about this list, I feel this is probably one of the more diverse ones I’ve seen. Their emphasis on a wide range geographically and time wise gives it a broader, better perspective, and they at least try to avoid the obscure of the sake of being obscure, though they fall into that pit a few times. 

                Finally, I do enjoy these lists and if you have any others I should pay attention to, let me know. Wire has the added bonus of including other sites’ reviews of the albums. Of particular note was Q Magazine calling “Metal Machine Music” one of the 50 worst albums of all time, thus confirming their status as old fogies who don’t “get it”.

Les Georges Leningrad - Deux Hot Dogs Moutarde Chou 7.3


These guys turn trashiness into an art form. When I was lucky enough to see them perform live at the Knitting Factory (when it was downtown, before it moved to cheaper pastures) they wore bizarre outfits. It felt like pirate punk rock, with paper mache heads.  

It is dirty, noisy, kind of gross music. Of course I mean this in the most flattering way possible. All the right references are here: from the junk rock of Royal Trux to the fractured fuck-up of the early Residents. In case neither one of these things are your bag, they also do very odd dance punk.

Actually, it is the dance pop that you won’t be able to let leave your head. “Fast and Bulbous” that description penned by the great Captain Beefheart, would definitely apply to “George V”. I can’t even begin to describe why this song is so great, but I’ll try. The simplest bass comes in with a simple chord banged over and over again. Some French Canadian female sings incoherently into the microphone occasionally accompanied by an even more French Canadian male. Instead of a musical breakdown, you get that repetitive drum machine playing over random radio station scanning as the singer approximates what sounds like vomiting into the microphone. I love this song with all my heart.

Not every song works out so well. For each good song, there’s sometimes the following aimless meandering. They really do work as a bit more high energy; otherwise the heavy weirdness comes off as a little silly. “Didi Extra” has a more traditional getup than say “George V”. I think the refrain is something about a “big cock” but then part of the joy is having no idea what’s going on at all.

Overall, I prefer this to their much more dance orientated second release. This one just has way more fun in it. And although it is a bit indulgent, the obsessive weirdness makes up for it.

Travelling Without Moving: Thanks Jamiroquai for the suggestion: Day Two

Today you’re probably all spaced out from yesterday’s trip up to the higher levels of weird. Don’t worry; I haven’t lessened the cataclysmic storms of the bizarre today. Bring food, snacks, whatever you need. Get a book, do some reading, expand your mind. Avoid the television, or, if you must watch, put it on cartoons and turn the sound off. Then make up the dialogue according to the sound. I’ve done this before; it is a very funny experience, especially the more hyperactive the cartoon is. I’d say Anime would be your best bet, but that’s just merely a suggestion.

Without further ado, I present day two of your journey.

Day Two


1. Gastr Del Sol – Our Exquisite Replica of “Eternity”
Jim O’Rourke gets a lot of shit, mostly by me. This song explains my reasoning behind it. It shows that before he went down a lazy, predictable path, he had the ability and inclination to follow his muse wherever it led him. Here you get a real feel for the build up, which leads into the progressive rock epic following.
2. Van Der Graaf Generator – A Plague of Lighthouse Keepers
Rusty Venture definitely let his kids listen to this, in order to find their creative muse via 70s progressive rock. He couldn’t do much worse than this; this is sort of the crowning achievement of so much nerdy dorks with far too much musical training.
3. Fuck Buttons – Olympians
FUCK BUTTONS! This takes its size and inflates it dramatically with noise, melody, and tribal drums. Does it work? Oh, it works so very well.
4. Television – Marquee Moon
After the past few intense songs, I figured we might need to slow it down a bit. Notice for this particular playlist there’s a few visitors from the 70s. This is just one of many common threads.
5. Tortoise – DJED
Single-handedly remixing any and almost all worthwhile genres of rock and rock-related genres into a massive mix, this does justice to their vision of a “jazz band playing rock music”. If you’re not so keen on the more “difficult” tendencies of this list, I’d suggest going with this one first. Like the New York Times stated, this is “the easy listening end of the avant-garde”. Maybe I’ll make an easy listening, or abridged version of these three lists. We’ll see.
6. Philip Glass – The Grid
Continuing the non-offensive music comes Philip Glass. Basically, the complaint many have is that he steals from his previous works, like “Music in Twelve Parts” among other things. But this definitely gives a great example of what sort of music he’s capable of when he’s hot.
7. Janek Schaefer – The Ruined City
Veering a bit towards the more the experimental, we have what is essentially a remix of depressing classical pieces. Rather than allow his technical performances overwhelm the samples, he works more around the territory than stupidly smashing through it. That sort of stuff happens later in the mix, with far more useless music.
8. British Sea Power – Lately
An epic jam bringing to mind the best and happiest of Grateful Dead, had they existed until the late 90s intact. Towards the end, watch the volume, it gets very loud.
9. Oneida – Sheets of Easter
You’ve to look into the LIGHT LIGHT LIGHT LIGHT. Uh, I found the perfect repeating loud stupid music. And it is this. There’s no evolution, it is the same thing throughout the entire length. You’re welcome.
10. The Residents – Part Two: the Making of a soul
Birthed from Elvis’s vagina in the 1840s, following the annexation of the Northwest Territories, they roamed the countryside planting apple trees while fighting the Confederacy.

This is all irrelevant however. Really they are theatrical people who created such another-worldly Dadaist play that it must be heard to be believed. I’d recommend the whole album of “Not Available” but this is probably the best bit.
11. Of Montreal – No Conclusion
If you missed what Of Montreal was before Skeletal Lamping, try this, the EP right before that said album came out. Without any idea that they are, I’ll let you know they conjure the images of the glam of David Bowie during his glammiest phase.
12. Terre Thaemlitz – Elevatorium
Neurosis of living in an urban area is reflected oh so well. There are some beautiful things at work, and it is a bit of a shame that in later releases Terre focused more on theory than actual musical content. Here he lets the music speak for itself, without any little theory ruining your blissful dreams.
13. Amp – Perception Returns
Amp nicely compliments Terre’s music. Now we move into the countryside for a form of “rural psychedelic a” that Flying Saucer specialized in. Only in this case, we don’t have to put up with their crumby vocals.
14. Joanna Newsom – Only Skin
Homes infected with Hipsters usually put this on to get rid of them. She’s pretty damn important, and if you were wondering what renaissance fair music would sound like taken to the highest level possible, this would be it. Perhaps if this played at renaissance fairs, I might actually go to them.
15. Nobukazu Takemura – Icefall
Every time I’ve put this on for people, they called it “emotionless computer music”. I disagree; this song puts a smile on my face for the rest of the day every time I hear it. Each little glitch sounds like a computer in the wild passionate throbs of love. Adore it.
16. Sigur Ros – Vidrar vel til loftarasa
This comes closest to anything normal you’ve heard for about the past hour. Odd that the bizarre Icelandic group has to “mainstream” things on here, but that’s what we’re looking at. Indeed, it is truly lovely stuff, rightly influenced by slowcore (one of my favorite genres) and post-rock.
17. Tim Hecker – Incurably Optimistic
Ambient noises come together to from a happy melodic drone.
18. Do Make Say Think – Fredericia
I’ve been fortunate enough to see these guys live, they are excellent. Many people would compare them to a watered down Godspeed, but I don’t think so. They have the same citizenship as Godspeed, but they focus more on the tender side of things than the epic scale Godspeed employs.
19. Jandek – Not Even Water
A depressed Texan comes up on side and starts singing ultra-depressing stuff. Nobody in the audience knows who he is, and then he really rips into the material. By the second song, most have guessed that he is Jandek. But this first song no one knew a thing.
20. Rodan – The Everyday World of Bodies
Beginning the intense paranoia, Rodan kicks off their longest, most enraged song. Forming from the ashes of Slint, they had the pedigree, and, had they stayed together, probably could have gotten a serious following. But like so many bands in Louisville, they cut it short for reasons we’ll never know.
21. Butthole Surfers – Jimi
I am death. – Gibby Haynes. Uh, none of this song makes any sense and the guitar solo sounds like Jimi Hendrix is getting severely tortured while playing his heart out in a sewer system somewhere.
22. Royal Trux – (Edge of the) Ape Oven
The strongest track off “Twin Infinitives” they make sure the hits are directly scored. Both of them sing utter nonsense about things that may exist in their minds/reality. It is hard to tell, as their ravings and intelligent remarks sort of melt into one screed.
23. Autechre – Second Peng
Yeah, you can’t avoid Autechre for long, uncomfortably paranoid pieces. This is from their “pre-digital” era, so the sound will appeal to those who found 90s electronic better than that 00s glitch stuff. Plus, there’s a ton of empty space to get lost in.
24. Kid606 – Never Underestimate the Value of a Holla
KID606 goes insane, starts destroying all pop from 2002. Perhaps besides adoring loud, aggressive punk, he’s a secret closet fan of trashy pop hits.
25. New Order – Perfect Kiss
You should know this.
26. The Juan MacLean – Happy House
Following so close after New Order, this shows that the goofy spirit did not die, but lived on. Though it sounds so simple, the amount of detail put into it is pretty impressive, as is the multiple parts.
27. Boards of Canada – Happy Cycling
Boards of Canada are pretty much dormant right now. But when they’re hot, they’re hot. This one is from their first “official” album, and it is a real wonder. It ended the album, like it ends my mix for today.