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Showing posts with label Ana C.. Show all posts
Showing posts with label Ana C.. Show all posts

Pop Serial and NewWaveVomit: Together at last


                Stephen Tully Dierks and Ana Carrete are aware of most, if not all, online poetry happenings. By law they must be. Pop Serial is S T to the D’s baby. NewWaveVomit, Ana C’s testament to ‘anything you need to let out’ used to be a member of the Talking Heads. Growing tired of all the partying, drugs, and literal vomit, NewWaveVomit settled down to focus on poetry over the past year. Eventually NewWaveVomit managed to transform itself into a website and gave control over to Ana after she found a gold ticket in her bar of chocolate. It helps that Ana is an accomplished poet. Go here to learn more about her.

                I eagerly awaited this meeting of the internet poetry powerhouses. Unlike countless other forms of media, I feel there hasn’t been a ‘poetry beef’ before between different parts of the country. By having this reading together Stephen and Ana prevented any ‘drive-by flarfings’ from occurring. They knew how much was not on the line here. Good thing they took the entire reading with seriousness more often associated with playgrounds or high-end bars than actual poetry readings. 

                We got thrown into the middle of things. Several people were walking. The chat watched as Stephen, Steve Roggenbuck, Ana Carrete, and Mike Kitchell along with other people walked around America’s heartland, Chicago, IL. I think other people might have been around. Really I couldn’t tell. Quickly everyone began making plans for pulling out ID cards to show they were ‘of age’ to purchase and consume alcoholic beverages. Steve referred to it as ‘carding hard’. Unfortunately we saw things only from a sideways angle. All I saw from a straightforward angle was a picture of a young Roggenbuck. Finally I can honestly say I’ve seen a picture of an artist as a young man. 

                “Congratulations you’ve arrived” some mysterious voice announced as they arrived at the poetry reading. Then we were treated to some shoegaze as in literally looking at people’s shoes. For an indefinite period of time we heard random conversations. Someone stated “That’s a bad angle. I think some of your viewers are going to get seasick” to which Stephen eloquently replied “Meh” or another equally innocuous response. 

                Ustream did not care for the venue they choose. We knew because of its frequent crashes. Towards the end of the week I tend to feel a bit tired, forlorn, and ready to call it a week. So I can’t be entirely angry at the liberal elitist social media. Perhaps it too got on a few uncomfortable conference calls during the week. It acted a bit too human for me. Negativity began to drag it down.

                A poll came up. Without asking a question, it reaffirmed the positive. The poll didn’t even ask a question. Roggenbuck set up the poll knowing we’d answer ‘yes’ since we are his positive pals. Everyone in the chat knew how important this ustream would be. Never before had all these literary icons come together in the same place in real life. We were extremely excited about this event. So did the audience who clapped and screamed “woo” at Stephen Tully Dierk’s announcement.

                Mike Kitchell (Impossible Mike) came up on stage. Wearing his trademarked white framed glasses (part of his ‘rebranding’ strategy) he began the session forcefully. Each time I heard a slight delay in the ustream recording I thought no. Apparently the technology heard my plea and came back. For me I liked the repetition of the square. The square was my favorite part of the poem. 

                Andrew James Weatherhead continued at great pace reading poems about Astoria, Basketball, and bits from the Economist magazine. Halfway into his own reading, he decided to engage the audience. Suddenly he put down the papers and began to talk. What it did was turn the reading into a conversation. Using this approach, he ruined any chance of hecklers to try and wreak the reading. Instead people began to find poetry a bit more approachable.

                Right as everyone in the room was about to feel that magical charge, the charge you get when you finally understand art, when poets and non-poets come together into a big circle and sing around the campfire, it ended. Steve’s phone battery died. I guess a phone can only handle so much poetry ustreaming before it thinks to itself “This is intense. I better go into sleep mode and contemplate my existence.” That’s what the phone did, I’m absolutely positive. 


                Everything might have been fantastic!

Ear Eater 5


                  Shaun Gannon began the marathon Ustream chats. Lately there have been a plethora of these going on, allowing for mere passers-by to become fully engaged. “I am Shaun Gannon” is to Shaun Gannon as “I’m Rick James Bitch” is to David Chappelle. While it is funny, it isn’t all that he offers. Shaun writes other poems as well.  Some of those other poems were read by his geologist friend who got somewhat intoxicated.  Once this ‘pre-gaming’ party ended, we headed off to the next Ustream party. We bounced.  

                Ear Eater 5 came up next. People waited anxiously for it to begin. People began discussing teeth. Cassandra Troyan’s teeth looked great. All of a sudden they broke into song, specifically “I believe I can fly”. The song moved the multiples of people residing in cyberspace. Since this group resides and publishes poetry on the internet, it only makes sense that they would try to interact on Ustream.

                Someone explained to us the importance of unicorns. While we had the beginning, we learned how nice an apartment you can get in Chicago. I feel that it was really strange moment when Ken Baumann read a poem from another laptop. Those in the Ustream listened to him as he read from a remote location. For a brief moment, I realized one of the goals which bring together the boykitten movement. Perhaps more so than any other literary movement, it openly embraces the internet. Most other literary movements usually shun the internet or aren’t as savvy about using it. Boykittens know how to use it. 

                The readings were great. I felt strange watching it from such a far distance. Oddly, my experience with poetry readings in real life are not as good as they are online. Perhaps the poets are more active knowing that they are being judged by an anonymous audience. Anonymity on the internet means it can get a bit harsh regarding the criticism. Some of the criticism is rather crude, but some of it misses the point entirely of the work (see Kat Dixon’s article ‘DadaGate’ as it has been dubbed). 

                Brett Gallagher began with “Vessel”. I liked the reading. Seeing his body’s rotation as he read showed a certain affection and attention to his own work. This sounds silly but a lot of writers tend to treat readings as a formality rather than a performance in and of itself. In this case Brett treats it with proper attention. Considering the sheer amount of words, he didn’t get very tripped up, as if he had practiced this quite a bit. Passion emanated from his delivery, it felt wonderful. Note “Vessel” will be in full-fleshed form at some point in the near future. Look out for it. 

                Online poetry readings bring love. Even those who felt sad in the beginning grew happier as the chat progressed. People merely talking to each other brought joy. Slowly the host Cassandra Troyan and the virtual host Steve Roggenbuck began working in tandem. It can be strange giving attention to two parties happening simultaneously. The two groups began to merge together as bizarre forms of flattery fused the two groups together. ‘Driving Me Wild’ ended up being a major chant of the night. But the next reading ended up allowing for silence on both sides, serving as a palette cleanser to some degree due to its quiet nature.

                Devon King came with musical accompaniment. Usually poetry readings don’t include an entire backing band. They were surprisingly quiet. Percussion and drones accompanied the reading. I liked the drones a lot; they grew more and more massive. For me the drones appeared to be well done. At first I didn’t get why the drums were there, but slowly it began to form a full whole. Each tap and hit worked against his reading’s tempo. By having two separate rhythms, it allowed for an extremely weird poetry-music hybrid. 

                “Sex Hair” began Carrie Lorig’s reading. Apparently she was born in Poland, studied in Wisconsin, and has generally been all over. Her poem about horses was enjoyable, as I have a thing for animal-centric writing. ‘Our flow is hard’ introduced her poem which she explicitly stated “was not about periods”. LetPeoplePoems published this wonderful weirdness. Despite being so far, she had a surprisingly strong performer. “Swamp Gods” celebrated the rivalry between swamp things. NewWaveVomit got some attention to, as Ana C hung out in the chat room. Her poems were extremely funny as was her delivery. Then, in case we weren’t sure if she was a good sport, she wore a blanket under the drunken audience’s request. 
         
            Finally, the end drew nigh. The laptop itself ran out of energy as this happened, almost exhausted by the sheer amount of literature it had consumed and shared. We left as virtual guests as the party winded on down into a drunken, debauched haze (or so I imagine). 

                It was totally worth it.

The Universal Sigh

            I couldn’t think of a better name for the new Radiohead newspaper. Well, maybe “the European Shrug” might be equally as apt. Because they have officially become a disappointment, it’s the nail in the coffin of “The King of Limbs”. At least now the King has a proper burial.

 Radiohead usually has some form of gimmick associated with its music, whether it is giving away the music for free, some overriding concept that Computers are OK, or honey is made by some guy named Pablo. Newspapers appear to be the latest fad of theirs. Like most of what they’ve done this year, they’ve arrived to the party late. That dubstep influence on their last album, James Blake did a better job. Maybe for Radiohead’s next album will have a chillwave influence and the giveaway will be old maps of the Ottoman Empire.  

                Why did Radiohead choose to use this medium? Personally, I’ve been a bit befuddled by their recent behavior. Thom Yorke jerking around, spastically I’m fine with, that’s par for the course. But when they began this descent lately towards the abyss, towards the dregs of viral marketing, I feel embarrassed. Constantly I have to explain to people far younger than myself that they used to be good. Now with this newspaper they’ve made my argument just a little harder. And I’m sick of trying, I give up. Here comes that sigh. 

                The Universal Sigh embodies the attitude I have towards them now. I say to myself:


 “Really, we are doing this now? When will the gimmicks end? Can you stop chasing everyone else’s coattails now? How about you write some interesting material? ” 


Of course they’d release it in New Zealand first, New Zealand’s lucky to have any attention to it since “Flight of the Concords” ended. New Zealand will drool over it, they’d put up a mediafire link just so kids in more important and geographically less isolated countries can get some of that material. And sure Radiohead, how about you have in translated into English. Forget those other non-English speaking countries. 

                People claim this is a ‘genius’ marketing strategy. Those might be the same people who purchase newspapers instead of reading them online. Or the people who think best-selling equals quality.  Ask countless newspapers how they’re doing financially; it isn’t going so hot right now. If the purpose of this artifact was requiem for the newspaper industry, then mission accomplished. 

                Radiohead, I stayed with you as long as I could. I’m not angst-ridden anymore. Those aren’t problems I have. People understand me now.  Most of my bands grew with me, or, when they realized they were repeating themselves, called it quits. Each time I insult you I don’t want to feel so negative. You used to have great albums. What happened to those? I miss those. Maybe everyone has a Radiohead moment, which fades away. I guess mine’s gone. 

                According to their release, it contains short stories, poetry, pictures and so on. Lately I’ve been covering a lot of people who do fantastic jobs with all this kind of media. To save you from the potential awkwardness of reading mopey poetry from people who really should have grown out of this phase long ago, I am going to suggest some things to read and process. 

                Go read Richard Chiem’s short stories. See what Steve Roggenbuck and Poncho Peligroso (better known as the 2011 Poet Laureate) are up to. Follow NewWaveVomit on Tumblr brought to you by the caring Ana C. Look at Joe Karwacki’s art work. Find Metazen, spend some time there with the lovely (or manly) Frank Hinton. These people deserve the attention. Once you begin understanding what they do, you’ll realize they are on an upward trajectory while Radiohead’s a ship a-going down. Spare yourself the cruel fate of a Radiohead apologist. Thank you.