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Showing posts with label Vice Magazine. Show all posts
Showing posts with label Vice Magazine. Show all posts

MDMA Films: Mumblecore Preview Part II


                Monday, June 20th the Mumblecore mayhem is released to the masses. You should be prepared. This is happening. Another tidbit from the upcoming movie “Mumblecore” has been presented online for your viewing pleasure. I am excited to see how much they managed to throw into a film with minimal money. This is the most heartfelt thing I’ve seen from Tao Lin and Megan Boyle. Let Mumblecore be as good as this whole trailer. I’d like that. 

                We begin with the gorgeous red color. For whatever reason, I respond well to the color. Perhaps it is intended to ‘color’ my experience or viewing of it by literally seeing the scene through rose colored glasses. Or it could just be the cheapness of the computer lighting. Whatever the reason it does alter my reaction to what Megan says.  As she says “Then the next few times we hung out we slept in the same bed” Tao’s head looks up at her at an affectionate angle. Tao gives a little nod and they move on to the next scene. “Aw” came out of my mouth involuntarily with this scene. Calling it adorable wouldn’t do it justice. 

                By using a stark editing technique called “reality” Mumblecore captivates me more than some set-up love story. They use real language. I find set-ups in most romantic films to be corny, cheesy, and pretty boring. With those mass-produced sorts of media they edit out any humanity to create a beautiful, empty glossy package. Here Tao and Megan do the exact opposite. Though the filming is oftentimes blurry the humanity is crystal clear. Humanity and love are the main focuses. After Tao says “I like just being around you” into his hand Megan responds with a simple “Me too.” Keeping it so focused and unencumbered by anything else allows you to connect with the mumbling lovers.

                You see them in the back of a car. Nothing happens. They talk. The red light makes a re-appearance. A song plays on the radio (the only song I hear in the entire trailer). Listening to the song their conversation appears to nearly fit the music. That might be accidental but if so it is a rather delightful accident and an example of what happens around us when we pay attention. 

                Paying attention is what Mumblecore is mainly about. Both of them limit the amount of information you’re given. You’re only given two characters. The limits are what define the movie, how you don’t know Tao’s or Megan’s internal thoughts. Considering what they write you probably could guess what they think or don’t think about. I know some people religiously digest everything either person comes out with or does. Lately Tao has been prolific with writing for “Vice Magazine” and selling some of his possessions on eBay. But knowing what they think isn’t important. You don’t even need to know them that well to feel the connection between the two. 

                I enjoyed the second trailer a lot. Even more than the first it makes me eagerly await its release on MDMA Films.

Olde English Spelling Bee – My favorite label of the year


Each year there happens to be a great record label. A record label that confirms good music continues to be made. Whether they are trail blazers or not is almost irrelevant. They’ve found a niche that completely works for them and stay steadfast in that dedication, until they finally give up and open their doors for all (remember Warp’s signing of !!!, Grizzly Bear, etc.). 

Olde English Spelling Bee supplied me with the hits I needed this year. Having such a low output anyway makes this all the more remarkable. Most of their stuff tended to veer towards the chillwave/hypnagogic pop area, which is what I’m a sucker for anyway. But their quality control for such a burgeoning scene is admirable, as is their evolution from like the guy who practically invented the genre (James Ferraro/Skaters) to newer acts like Big Trouble, Rangers, and Outer Limits Recordings.

It is doubly nice to have a record label so close to me that I get to see all their Greatest Hits perform. Not only do I have the expected joy of shows, but they even get to curate various magazines mixes for thanksgiving. That’s right, I’m talking about the below:


Vice Magazine hosted these guys, with all their wonderful taste in pop music trash. Ducktails have a great twitter and probably are the most famous band off the label. Sam Mehran started about a billion different projects, so it seems like the label is even more prolific. And the kicker, all of the people performing on this label looked like cloned versions of themselves. It reminds me of Dr. Venture’s lab, but instead of cloned Hanks and Deans, they have cloned hipsters and allow them to float in tubes filled with liquid irony and borrowed nostalgia. 

The music videos show this off, with weird blurry images of people hanging around, not doing much. Most the videos are fun, quirky, and so cheaply made that my cheapo camera has better resolution. Taking this approach towards the visuals only compliments the tact taken by the artists themselves, of hiding honest-to-goodness pop under layers of fuzz and static. 

Please keep up the winning streak OESB. I believe in you. Your label has convinced me to have a “best of” EP edition for this year. Each release gets sweeter and sweeter. More of your artists need to put out albums. If I need to almost beg you to do this, that’s a positive thing.

Labels like Thrill Jockey, Warp, Tigerbeat6, get your head in the game. These guys clearly do, and rather than having a slick website, they have a myspace and a blogspot. And that blogspot looks like it got set up in 3 seconds by some dude before he went to bed. 

Thank you my favorite label of the year for making me so very, very happy.

Origin Story Number Three:


I'm too sexy for my shirt, so sexy it hurts.
Growing up in Fidel Castro’s Cuba was hard. Because of the strict rules against being cool, I understood that my love of culture was forbidden. Upon the release of Radiohead’s seminal album “Ok Computer” I stated to my friend how cool I thought they were. He stated that Fuck’s “Pardon My French” was the better album, and that I was an ‘entry-level’ kid. The SDE (Cuban Secret Police) later took him away and asked him to identify all the cool kids. Many young children were thrown into prison, but I was spared. Perhaps he decided not to reveal my coolness, or that I hadn’t reached a level considered ‘troublesome’ enough.

Upon seeing the movie “Rushmore” in an illegal underground cinema, I knew the authorities would be after me. Max’s mannerisms fit mine so perfectly, I could relate to the character so well. Yet I had to keep this cool knowledge to myself, for fear of exposing myself and others to danger. A plan began to appear in my head, of escaping this retro country to the Promised Land, America, which had bountiful amounts of independent music and cinema, a place where I might become an “authentic” consumer of haute culture.
Each night I played a flute for various stingrays. Training them to carry large objects, I earned their trust by taking good care of them. Stingrays are well-known in Cuba for being faithful servants, but few had tried what I wanted to do. My goal was to float away from the island not on a raft, but in a 57 Chevy so I could be protected from the elements and sharks.

I talked to my family about leaving. They agreed it would be for the best. Late at night, after the electricity got turned off to save gas, I scurried out at night with my Chevy. Starting to play my flute, I heard a car fast approaching. Apparently I had become indie enough for the authorities to capture me. Finally, I thought happily to myself, all that talk about music and movies wasn’t for naught. People really understood that I was cool enough to present a threat to the government. 

As they approached, I drove my car into the water and sailed on top of the mighty stingrays. What I didn’t realize was how slowly stingrays move. Though I escaped from Cuba, I suffered another fate. Floating on these creatures might be safe, but you need enough supplies of water and food to survive. 

The day I ran out of water ended up being a turning point in my life. Realizing that I was nowhere near the Florida coast, I felt defeated. Maybe I should’ve stayed in Cuba, with the malevolent dictatorship. Perhaps listening to the Macarena wasn’t that bad, and I should just become a mainstreamer. Delusion started to set in. No, I screamed to myself, I was too attractive and likable to become that.

Heading towards the edge of the car, I looked at the vast sea surrounding me. All this water, and not a drop to drink, I thought bitterly to myself. Suddenly I felt an urge to urinate as I munched on my Shredded Wheat, ready to become fully dehydrated. But an idea, a brilliant idea, popped into my head and helped me to survive.

Quickly I pulled down my pants and urinated into the bowl of cereal. Thinking that this was the lowest I’d ever go, I began to eat the urinate-soaked cereal. Drinking my own urinate saved my life. Plus, it tasted pretty good. Mixing it with shredded wheat gave it a nice edge it otherwise wouldn’t have had. 

Finally, I saw land. Thankful to my stingray companions, I promised to send those alternative CDs once I had gotten myself settled into the new country. Driving my car across a beach, blasting my Rushmore soundtrack, I got yelled at. That behavior, a well-tanned person explained to me, earned me the insult ‘entry-level’. I screamed back “Sorry, I just left a brutal communist regime. I’ll read a couple of blogs and get back to you asshole.”

Lacking any marketable skills, I feared I would fail in this new and strange land. Slowly I learned that I could sell myself to people in exchange for money. I could earn a living this way, a scantily clad woman informed me. Thanking her tremendously and almost hugging her (but then thinking twice about it) I set forth on my new business adventure.

Whoring myself out to retired Jewish Grandmothers, I learned that Florida was not the cultural center of the United States. Asking them politely after they were done smoking, they informed me that all cool people lived in New York and then moved down to Florida when they were ready to die. I earned enough money to move up to the big city, but could only afford a small place in Brooklyn, a neighborhood called Williamsburg. I wondered whether or not Williamsburg would attract the cool kids, or perhaps I should move to Queens. Asking around Manhattan (which appeared to be filled with rich people) they told me Queens was where people settled down, and Brooklyn was for pretentious indie dicks.

I enjoyed living in Brooklyn. Never before had I seen so many relevant record stores. Hoping my family was still alive in Cuba, I sent them a Doobie Brothers album, since they were apparently all the rage around that time. People listened to the Doobie Brothers in Brooklyn, I learned, but only ‘ironically’. 

For a while, I tried selling myself, like I did in Florida, but the grandparents in New York already had male prostitutes. Worrying about my future, I began writing blurbs in papers for various bands I enjoyed; along with pictures of people I thought looked cool or lame. The column ended up being a smash hit at Northsix, and someone told me to write for Vice Magazine.

Hoping to impress my future boss, I wore a suit and tie. Eating my morning breakfast of urine and shredded wheat, I looked forward to meeting the kind-hearted soul named Gavin McInnes. Those I asked about Gavin stated he was a soft-spoken and caring man who yearned to give back to the community which had done so much for him.

Entering his office, I saw him having intercourse with a woman painted like a Cat while she made a smoothie using a half-dead squirrel and Wintergreen Altoids. Seeing my face, he welcomed me into his office. First he asked me if I liked Pat Buchanan, and I said yes, since that guy hated communism, a force I had only recently escaped. Liking this answer, he smiled and nodded. He said my breath reeked of urine. I said that made sense, since I drank my urine on a regular basis, now believing it to help boost my immune system. Curious, he asked what I ate with my urine. Unsure of where this was going, I said shredded wheat. Angrily he told me to get the fuck out of his face. 

Dejected, I walked out of the office. Standing on the street, Gavin came toward me. Almost out of breath, he said I got the job. Explaining he needed to weed out the fake urine drinkers, I became a member of the Vice Magazine staff. 

Over the next several years, I learned how to mock others with wit and grace. My accent became more distinctly “New York” in feel. Even when my mentor Gavin left Vice Magazine in 2007, I continued to partake in writing many album reviews. I remained in close contact with Gavin, and he ate a bowl of cereal soaked in his own urine as a tribute to my greatness.

2010 ruined everything. I met a girl. Her name was Bethany Cosentino. After falling madly in love with her, I wrote a glowing review in Vice Magazine about her band Best Coast. But the love ended up being only a ruse. Nathan Williams, some pothead, ended up being her actual boyfriend. To add further embarrassment, she wrote about it on her blog. My career in snarky commentary was over. Vice Magazine tolerated many things, but genuine emotion wasn’t one of them.

At my favorite bar, a kid named Jordan Castro came up to me to try and interview me about it. Since I was on heavy psychedelics, I thought he was a spy from Cuba here to take away my freedom. Viciously I attacked him, and three people twitted about it. In his Tumblr, he called me a “worthless asshole”. That didn’t hurt so much, since nobody knew who he was.

Depression bit me hard. Worried about losing the last shreds of credibility, I tried to get in touch with the Jewish Grandmothers in Florida, to restart my life down there again. I learned most of them had died, but one was still sort of alive. The sort of alive grandmother told me I was the coolest person she could remember and when she passed away, she left me a pair of used underwear and $650,000.

The money gave me a second chance. Speaking to my mentor Gavin, he suggested rebuilding my street cred with a blog. A blog from the heart dedicated to those stingrays whose sloth-like movement inched me towards my current freedom. That is why so many of these posts reveal my inner most thoughts. I’m trying to mend my heart. Thanks for the hugs.

The Snarkout Boys and the Avocado of Death

Mere words can’t express the utmost joy I had reading this as a kid. For whatever reason, this hit all the right spots for me as a child. Bizarre situations, random geographical references (I’m a sucker for any sort of nonsensical obscure geography reference), and just general hipster shit all baked into a delicious meal. 

Of course, the book came out (1982) long before hipsters were even a thing (Vice Magazine hadn’t been created, Williamsburg still was a scary place). That is what makes it work even decades later. Parts of this book, as I look it over now, seem almost like a word-for-word summary of what later happened in my life. Like the main characters, I “snarked out” and would just randomly hang out late at night, hoping for something interesting to happen. It never did, but that didn’t stop me. 

Daniel Pinkwater wrote this in some sort of silly craze. Every bit of it is positively absurd, right down the town name (Baconburg) and a high school named after Genghis Khan. Perhaps it is this sort of weird naming scheme that made me later receptive to Pynchon’s penchant for using hopelessly unrealistic names.
The kids are bored. Life is boring. They try to make it interesting. Orangutans are involved, as is an evil scientist, Iceland, and the entire profession of realtors. All of these elements are combined in such an effortless but instantly funny way. I know that a criticism of a lot of writing is how many references authors like to throw off, but here it feels genuine, not forced at all.

Before I read this book, I had been introduced to lamer variations on this theme. The Wayside School series, Mrs. Piggle-Wiggle all had tried and sort of missed their mark with me (though Mrs. Piggle-Wiggle did have moments I enjoyed). What happened with this one was truly wonderful. I think this was the first piece of literature I had really “LOLED” or “laughed out loud” at. Displaying a group of intelligent bored students seemed natural to a kid who felt very out of place growing up.

 My parents gave it to me as a way of cheering me up. Around this time, I became pretty disillusioned. Dreams of designing cars started to recede far into the distance. Every year cars began to look more and more like bubbles with wheels. I wanted to create these beautiful contraptions that people could not only drive, but show a bit of pride in. Slowly but surely, my hope of bringing beauty to functionally got crushed as I saw more and more of these ugly things, these minivans, subcompacts, etc. Car design fell by the wayside as people began to accept the fact that function couldn’t coexist with style. 

After reading this I really started writing a little bit, like a door had been opened for me. Something else existed that I could actually try to affect for the good. Most of this writing is long gone, but ever since I read this little gem of a story, I go through various fits of inspiration where I’ll simply write hoping that perhaps this time it’ll get a little better. Thankfully literature hasn’t headed the same way to mass conformity the way car design has. 

If you want to give your kid a little bit of hope as their artistic chances feel like they are vanishing away, I couldn’t think of a better thing to give them than this inspiration.

Royal Trux – Twin Infinitives 9.8


Royal Trux, back in the beginning, was a set of delightfully horrible people. Jennifer Herrema and Neil Hagerty met and fell in love together on an acid trip where they stayed on wooden plank, thinking they were in the ocean. Bonding on any sea-faring voyage is always a great way to fall in love. So is ripping off your indie record label for money for smack, then asking for more money to actually make an album.

Now that the glamorous introduction is out of the way, there is the music. For those of you less comfortable with this sort of thing, you can call it sound. Either way, it is an absolute abandonment of any sort of conventional structure, melody, or even rhythm. Hell, it sounds like even their drum machine isn’t feeling so good, spitting up sounds and convincing you that yes, time is passing by.

“Yeah, Yeah, Yeah, BABY!” Jen cries on “Jet Pet”. All the lyrics are dark, horrible, and disfigured through the arrangements. Heroin has clearly gotten to them, though both claim that this album was recorded sober. No Wave ever got this intense; it is as if the two felt that Mars and DNA were a little too accessible.

By far the winner on here has to be “(Edge of the) Ape Oven”. Starting out with a jaunty, almost recognizable melody (nah, just kidding, it makes no sense) the sounds starts clouding over with so many external events. Then the singing begins, with the most bizarre, otherworldly lyrics imaginable. It is as if they’re trying to channel the ghosts of dead white trash. Direct hits scored indeed.

Yeah, so hopefully that prepares you a little bit. This isn’t some cutesy, oh aren’t we so clever, kind of recording made by well-educated arts students. Rather, this is the intense nightmare of drugged high school dropouts trying to make sense out of the grimy world they call home. I mean, for Pete’s sake, Jennifer now writes for Vice Magazine and was the original “Heroin Chic” girl of the 80s, and Hagerty worked in Pussy Galore, a disgusting filthy band if there ever was one.

Don’t even bother with their other albums, after this they pretty much started making 60s and 70s nostalgic albums. This one they created a whole new identity. You’ll either love it or hate it, there is no in between. If you’re into the weirder edges of rock and noise, this is ideal for you. But if you think that this will be similar to Sonic Youth or grunge rock, you’d be dead wrong. Twin Infinitives is the result of so much slag populating the underground for most of the 80s, coming to rear its ugly head in the early age of grunge.