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Showing posts with label Beirut. Show all posts
Showing posts with label Beirut. Show all posts

Beirut released a New Single Today


                Zach Condon released a single today called “East Harlem”. This is important. Beirut has been on a slippery slope downward for quite some time. You can only rely on your rabid, almost serial killer-esque fan base to listen to the same two albums and handful of EPs for so long. At some point you need to simply ‘bring it’. 

                I think Zach finally understands the importance of building up hype. With the “East Harlem” release he satisfies countless dedicated fans. Apparently the single was first written by Zach at the tender age of 17. Zach may be leaning too hard on his earlier, more prolific years.  Personally, I don’t think that. Sometimes it takes playing a song or group of songs a lot before you realize how good it is. Often songs require a bit of tweaking. For “East Harlem” perhaps Zach needed to actually see East Harlem before he could get the sound right. 

                Bands go through practicing songs over and over again in a live setting to get them right. Radiohead took this approach with most of the material on “In Rainbows”. Zach knows “East Harlem” and “Goshen” has been bootlegged to near-death, near-irrelevance. Releasing both of these songs in an official format means he ‘gets it’ and understands a market exists. So many years have passed since he released anything new anyway. Now he wants to show he is serious about getting an album out in time for summer. A hope of his is to be taken seriously. By actually doing what he states would be a big step in this direction.

                Unfortunately neither of these songs has any noticeable Brazilian influence. You see Beirut has a huge following in Brazil. Brazil first saw him in the mini-series “Capitu” which won him the following of an entire nation in 2009. The ensuing buzz has created a whole cottage industry of bands hoping to be just like Beirut, playing similar music and instruments. I think this shows a prime example of the ‘exporting of buzz’. Like with Dubstep, Beirut’s unique brand of Balkan Folk takes a few years to really get to other audiences. Dubstep began years ago and we’re only hearing it now. Beirut’s last album came out in 2007 it took a few years for it to reach Brazil.

                Now Zach needs to figure out exactly how to make or market his next album. Will he simply continue on the same path making the same predictable Balkan Folk/World Music? Or will he take another approach, deciding to forgo the tough nature of the US buzz market and pin his hopes on South America? South America’s buzz market is nowhere as competitive as the United States. Hell, bands even have a name for tributes to his greatness called “Beiruting the Square”. Zach would be a fool to ignore that level of dedication, that level of love. Forget mopey late twenty something s in the US. Their income will increase only so much as they spend large amounts of time alone, crying, scrobbling Beirut’s few releases over and over again on Last.fm. If Beirut wants to really make an impact he ought to release his album in Brazil first and let it release in the United States later. 

                Releasing his upcoming album in Brazil first will show he appreciates and cares about the genuine affection the country shows him. I mean, I can’t even think of a single US TV show where Beirut appeared. No band does a tribute to Beirut in the US. Most Balkan Folk bands in the US are actually from the Balkans and probably influenced him. Zach needs to take this once in a lifetime opportunity and influence a growing, younger and considerably more vibrant music scene in an entire country. For buzz in the US is fleeting (Beirut knows this from his own experience) but buzz elsewhere lasts longer. 

                Hopefully the next Beirut EP reveals a bit more about potential new album. Or perhaps he’ll just pull a “Joanna Newsom” and randomly release the whole thing without any teasers. Either way he will need to rise above.

Beirut’s come back to us.


                 Where have you been Zach Condon? Have you been finishing up High School so you’ll no longer be a High School dropout? Or did you return back to the Balkans to learn more about Balkan Folk music so you can ‘indie-fy” it for culturally ignorant Americans? 

                Really, you’ve missed out on a lot by keeping a low profile the past few years. Your last album was in 2007. Back then, people were willing to wait longer for albums. I don’t know if you have enough clout to just sort of sit on your laurels the way LCD Soundsystem did or Arcade Fire did. “March of the Zapotec/Holland EP” was your last EP in the hit filled year of 2009. Compared to Animal Collective, Neon Indian and the chillwave gang, you didn’t stand a chance. 

                Maybe you missed your chance to become a giant powerhouse of music by waiting so long. Brooklyn seems to have dulled your senses. You have married, but what music have you come out with lately? I know your work on the “Realpeople” electro project might have tried to capitalize on blog house music, but otherwise you’ve been quiet, too quiet for the ravenous music-devouring hordes on the internet. You do seem to have found a niche with lonely people on the internet who play your first album over and over again on Last.fm (to be honest, most of your fan base scares me). Whoever listens to “The Flying Cup Club” on repeat worries me a tad since that album was in hindsight a tad bit weak. 

                Now I hear you may be coming out with a new album this year. A few things can be done to get your band back in shape. Get your twitter back in order. Tweet about every little aspect of each song. Make an actual twitter account, like Beirut2011. Follow Beach House’s example; make the twitter account the year you break through to popularity. Do what James Murphy did and release cryptic YouTube videos of you recording in a haunted house. Since you’re in New Mexico, perhaps you could say something mystical as you walk through the desert at night. 

                Get your website updated. I’m glad to see “Sunday Smile” is available for download, but that song came out during the George W. Bush administration. How about you give at the very least a newer MP3 to download, like a single song you’re comfortable releasing. Do you even have any new songs written? If not, just offer some leftovers and call it ‘an exclusive premier’ or talk about whatever world tours you’re doing. I’m glad you did some tours back in 2010, but this is a new year. That lazy website might work for Black Dice since no one cares about them, but I thought you wanted this band thing to be big, why else would you have moved to Brooklyn.

                It seems you have done one thing right: you got Pitchfork to do your announcements for you. They mentioned you’re touring with all those bands that make sweet money cakes and win awards. Arcade Fire might be a surrogate family for you. While the music scene has changed, they’ve stayed true to themselves. Since your music generally mines pre-existing European folk traditions, the Arcade Fire might help you out due to their unique status of being the whitest band on Earth. With all that time you’ll spend with them you could learn how to win a Grammy as well.

                Not all bands can stay true to themselves. Just as a backup for relevancy and authenticity, I’d suggest having a retro synthesizer just in case you decide to explore 80s pop music with a lo-fi sound. That’s kind of a big thing right now, so it is a comfortable crutch if you need it. I’m not saying you do, but it is good thing to have if you want to get your predominately wistful and bleary eyed (due to crying) fan base dancing.

                Think about it. I can’t tell you what to do. Only you can. Figure out how to open up in spectacular fashion. Get a ton of hype, pull a Panda Bear and tease your audience with rumors of an album. Whatever you do, just remember the internet buzz sleeps for no man. Avoid the fate of Bright Eyes. Rise above.

MIX CD for a person who was lukewarm towards me


                Internet romance is a fleeting thing. At first, you’re so excited to finally connect with someone in the virtual sea. You think of them, of all the fish in the sea, I wanted her, she wanted me. Even though I met them on a site their parents paid for, in a weak attempt to get them a boyfriend, our bond felt strong. It felt great, we were connecting. Adding her various networking sites felt good, it felt right. We were happy sending random messages through vast distances. 

                Sometimes, you know, it doesn’t work out with people. The two of you might seem to have a lot in common. At an undefined moment in time, things change. Everything changes. Such a thing happened with this person. Without meeting, we had grown bored of each other. Other people appeared to me more interesting than little old me. Rapidly our AIM conversations dwindled to nearly nothing.

                But one day, out of the blue, I got invited to her birthday party at a beer garden of high repute. Perhaps I’d be given another chance. Working throughout the week, I not only came up with my usual stellar mix, but I did something more. Look below to see. This is the unedited selection of descriptions for each song, sent as text to her Myspace account. 

                When I arrived at the party, we became friends, nothing more than that. Feeling rejected, I spent the rest of the night talking to her brother about some creative stuff he did for work. She made up a story about how we met at some concert. At the night of the night, we left as friends. We’re still friends on Facebook, but I never spoke to her again. My MIX had failed.

                That doesn’t mean it’ll fail on you. All of the descriptions are perfect for the songs. I hope this helps you more than it helped me. Consider this the prehistoric ancestor of my current MIX CDs, like a fossil trapped in amber, waiting to be resurrected again.  
        
1. Red Krayola - Hurricane Fighter Plane.
Once upon a time, Mayo Thompson had something in his pants. And with his snotty voice, he announced it to the world with the strangest backing band ever, complete with the most thoroughly incompetent bass player he could find in the great state of Texas. In a perfect world, this would’ve been a hit single. Most people lacked his clear vision of a world without logic, sense, or musical talent. 

2. No Age - Cappo
These guys go surfing on the Southern California coast. Or at least it sounds that way. They also sound like they might exist in reality, unlike our previous guest. 

3. Frank Zappa and the Mothers of Invention - Who needs the Peace Corps?
Frank Zappa sings scathingly about the false political awareness many of the “boomer generation” possessed. Singing about one young lad, who decides to wear non-traditional Western garb for the purpose of looking cool, he then enjoys marijuana and gets some police officers to kick the shit out of him on Hate Street. This intrepid cut summarized Zappa’s perfect satire with musical talent.

4. Duke Ellington and His Orchestra - Washington Wabble
A young bird goes and gets a bum’s rush from the local bull. Now he doesn’t care for this sort of thing, and calls the bull a wet blanket. Well, ha, you can see here why he’s a bird, can’t you? So off he goes, in a real huff, and sees a tomato. The real McCoy, but he can’t stop and make whoopee with her, get a few sinkers. No, he’s out on the lam, on account of that insult. Good thing he didn’t stay and chat with the cat’s meow either, she was a moll anyway.

5. British Sea Power - The Lonely             
I listened to this constantly as I went back and forth on the train, from civilization and out of it. As this played, I’d see backyards of people both rich and poor. This is a truly enlightening experience of listening to a lonely former naval power sing about playing on a Casio, electric piano. 

6. Crème Soda - Deep in a Dream
A bunch of hippies got together about 5 years too late and decided to make some hippie-ish jams. They were of high quality, as were the performers. Then they realized it was 1975 and got cynical, then employed. 

7. Slint - Breadcrumb Trail
Slint existed in a certain moment of time, when a bunch of paranoid people moved to Louisville, Kentucky, to make uncomfortable, tense rock. Some called it Post-Rock, since it lacked any of the sort of things that made things rock, like happiness and girls. The members of Slint most likely did not have adoring women flocking towards them; they most likely had those record-store types with the beards and thick glasses, nodding their heads in approval. Despite their overwhelming ability to give almost anyone nightmares with their delusional, uneasy songs sung in uncertain voices, they broke up. Then, as paranoia and unease gained currency towards the latter half of the Bush administration, they gave it another go. Our song here discusses the joys and terror of being in a carnival. 

8. Sun City Girls - Radar 1941
Sun City Girls knew the Norwegians could no longer defend them, so they made one last stand in Hammerfest, Norway. Using the only items nearby, booze and guitars, they coined this little ditty, a drunken surf song that loses interest in itself every now and then. 

9. Flying Saucer Attack - Standing Stone
One fine afternoon, the singer realized his voice was shit. So he brought up a ton of distortion and feedback, and sang like someone on an acid trip. Then he got a three-year old to play the drums.

10. Gong - Witch’s Song/I am your Pussy
They dedicated this song to their mother, and some fleas. The 1970s were a strange time.

11. Optiganally Yours - Stop Touching Me
Originally written after a harrowing experience with a toaster oven, this song exudes positive feelings, also sexual harassment. 

12. Sergio Mendes Trio - Vivo Sonhando
Back in the 1960s, Brazilians provided the world with perfect music to drink cocktails to. This particular band did it especially well. To improve the ease, they replaced the singer with a saxophone, just to be so cool and casual.

13. Stereolab - Tone Burst
It’s like a giant burst of distorted guitars, and then we get those socialist lyrics sung in French. Why French? So that way, it’ll sound sexy.

14. Deerhoof - Polly Bee
Originally starting off as a pop group, they didn’t realize how weird their singing was, or how inane the lyrics were. Here we listen to the singer ask such probing questions as “Why am I so happy all the time?”

15. Jane Birkin and Serge Gainsbourg - Jane B
A couple of French people, singing about French shit. They were so explicit that even France put its foot down on having their songs on the radio.  Possibly perfect music for some kind of bad ass spy flick in the near future, which would involve a former KGB agent trying to kill the President of some total shit-hole Eastern European nation no one’s heard of, and the one CIA agent down on his luck trying to bring him to justice. Also hamsters would be involved.

16. Low - Caroline
Most rock bands start out playing fast and slowing down. When Low decides to slow down some more, their songs will last half an hour each, with eight notes played in total. Their beauty is to play those eight notes perfectly right, and at the right times. Too many bands figure if they play fast, perhaps they’d occasionally get the sound right. Low know better.

17. Nick Drake - From the Morning
Apparently his life revolved around sleeping late, smoking pot, not getting laid and playing the guitar. He spent his entire life on a college campus as a philosophy major.

18. June of 44 - Sink is Busted
Here is one of those greats from Louisville, the Post Rockers. Here they display their inability to cope with even the simplest of problems, a broken sink. Instead of doing anything about it, they wrote this meandering song that feels like it’s always moving away from you.

19. Penguin Café Orchestra - Hugebaby
As a couple of penguins sat drinking their coffees and reading the New York Times Magazine section, they noticed a baby flying out of a car. The car’s passengers had dissolved away, as had the car, and the baby slowly floated about, looking at the penguins below with dreamy amusement. 

20. Beirut - Untitled
Apparently this musician lacks basic naming song skills. Perhaps he should’ve stayed in school, instead of hanging around the Balkans in seedy clubs, listening to their degenerate hobo music.