Washed Out Leak

                Washed Out leaked. If you’re reading this, you know. Or if you don’t, get on top of it. Ernest Greene didn’t disappoint with this one. Most chillwave artists tried to stray away from their roots. You can’t imagine my happiness at Washed Out doing basically the same thing he did with his EPs albeit a slight change: There are less sample-based songs.  That’s the biggest evolution for him. Familiarity with his EPs is a must to see where he came from. If you’re unfamiliar, get familiar in particular “All Around You” perhaps the best song of his early work. People will be talking about this new album for quite some time. 

                I judge artists partially on how early their albums leak. An earlier leak indicates a greater anticipation and a possible criminal element within their fan base (depending on your judgment of leakers). Other chillwave artists leaked pretty early: Neon Indian’s album leaked a whole blog year (blog year = three months) before the album was due. By the time Pitchfork reviewed it saying how great the album was readers were like “Thanks for keeping me up to date with the latest news. Next you’ll tell me about the Wright brothers’ new invention called “the aero plane”.  Washed Out leaked pretty early. That bodes well for the project and for a continuing interest in Mr. Greene. Here’s where I admit Ernest’s self-releases of a few tracks kind made it pretty easy to figure out how this was going to sound. Nonetheless, considering all his previous releases were only EPs that’s a very good thing. He’ll be selling out shows wherever he goes, playing all his smooth, lovely songs. 

                Most other chillwave acts have a bit more of a direct, dance-pop influence. For example, Neon Indian wants you to get up and dance. Neon Indian wants you to take acid with him. All sorts of unmentionable things occur in Neon’s sound, perhaps too many unmentionable, potentially life-changing things. Washed Out deals with smaller details: how to hug, how to make love, etc. Perhaps these won’t change your life, but the nine songs make for excellent ‘make out’ or ‘love making’ music. It is a gentler sound, less dance based than rock based music. Think shoegaze. 

                How will others react to this? Will this be the album that saves the flailing genre ‘chillwave’? I feel it is chill enough; at least it will be until Neon Indian comes out with his new album. Unfortunately Neon Indian’s release may overshadow this quiet, understated album. We’ll have to see; each one has influential newspapers, blogs, bloggers, magazines, TV and other important sources of buzz. Ernest did do those Adult Swim bumps which help along with the intro song of IFC’s ‘Portlandia’. So at least Washed Out has a serious presence on Television, the laziest form of media. Can Washed Out and Neon Indian live in harmony? I think they can. Listening to this album, Washed Out seems pretty chill. With “Within and Without” Ernest solidifies his credentials as the ‘father of chillwave’. Respect your elders. 

Neon Indian returns!

                2010 must have been the year chillwave hibernated. Neon Indian toured, didn’t release very many (if any new songs). Instead, he just put out videos for pre-existing songs. People felt a certain amount of teasing, as he was just solidifying his position as one of the two highly respected chillwavers (the other being ‘Washed Out’). “Psychic Chasms” got instant ‘Best New Music’ on Pitchfork. No other chillwave artist managed to pull that off in their first go, even Washed Out got only an 8.0 on his first EP.

                Things have changed since the halcyon days of 2009. Since that time, a great deal of sub-par chillwave has entered the music stream, tainting its good, nostalgic name. Other chillwave bands have evolved, moved past the original sound. For Toro Y Moi, that meant a longer, better received second album. Ducktails had a second, less well-received album, getting only a 6.7, meaning Pitchfork was ‘hedging its bets’ on it still remaining a band which could obtain buzz. 

                What could Neon Indian do with his time, as he worked diligently on his second album? Alan Palomo lost a guitarist and gained “Flaming Lips” collaboration. By working with Wayne, he proved he will be the most profitable chillwave entity. Losing a guitarist didn’t hurt too much as Neon Indian has been mostly a singular affair. Guitarists are everywhere; though that guitarist’s funky outfits will be missed at live shows. I know I’ll miss them. 

                Finland proved to be the place where he re-discovered his chill. Since it is in Scandinavia, it embodies the essence of chill. The welfare state the Finns have created, along with being the only country to repay all of its World War II debt to the US makes it a pretty chill place, perfect for Neon Indian.  He needed to see how to make his second album even better than the first, as his popularity had only increased since his first album. Some magazines even called his 2009 released album “the album of 2010” which felt other-worldly to him. 

                Now he’s come out with some teaser trailer for “Heart Attack” part of a 3-part instrumental trilogy on his new album. That means the new album will be longer than the first, as previous outings have shown us, longer album means ‘maturing’ and shorter albums mean ‘running on empty’. So he has that part of the system down pat. Listening to the first track from it, it sounds fantastic, exactly what you’d expect from Neon Indian, completely amazing synthesizer and great beats. Hopefully he’ll keep that up for most of the album. 

                 I’ve seen him live a couple of times. Not once have I been upset or disappointed. By now, he’s gotten down the live show, a difficult thing for his kind of music. He’s also stated the new album will drop in early fall. Since his last album leaked so early, I’m assuming we’ll get it by around July/August area. Perhaps we’ll also get some sort of EP like we did for the last one, so people can get used to the major points of the album before he goes out with the whole thing. This last part I’m not so certain about, he’s maintained twitter silence for great periods of time, perhaps he wants to ‘shock and awe’ the audience. 

                Actually, when I heard the first song off of his early EP “Deadbeat Summer” I remember sending to virtually everyone I knew who was interested in music. Each one loved it. I kept those sent Facebook messages for a long time, to remind me that sometimes hype rewards a band deserving of the attention. Of course, I kept those messages out of the music nerd habit of saying “I called it” when you learned of a band way before everyone else. As most people aren’t music nerds, when you meet a real music nerd, it is the equivalent of a secret handshake. 

                Neon Indian appear to be a more responsible affair, at least avoiding some of the negative aspects of celebrity, public break-downs and drug abuse being the most common problems. Though apparently the Antlers tweeted their rehearsal with him was a nightmare and they should not have taken acid with him. Considering the bleak nature of the Antlers music, it might have to do more with their perception than Alan’s behavior.

                Honestly, I haven’t been this excited for a release in a while. Most of 2011 has gone by with a few decent albums. I want something beautiful. Neon Indian might have that album.

Washed Out is Not Washed Up

               Ernest Greene (better known as the first chillwaver) decided the waves needed to get a bit chiller: he’s announced the release of his first album. As his music is so heavily focused on the summer, the July 12^th release date on Sub Pop makes sense. Hopefully, just as the summer begins to drag on, we’ll have his sweet “With and Without” album to give lazy afternoons a better soundtrack.

                I can’t express the joy I have at reporting such good news. Forever has gone by since chillwave began with Ernest, a mild-mannered librarian from Perry, Georgia. He seduced us with spaced-out vocals and reverb, so much reverb. Reverb got reverbed, up to the point where you wondered the origin of such dreamy sounds. 

                Singles have been Washed Out’s stock and trade. Thankfully most of the album’s track list appears to be brand-new material. Having an album consist of nothing but a collection of EPs always feels lazy to me, Panda Bear, Uffie, and Real Estate fell into that trap. Obviously I feel dramatically different emotions regarding those three albums, but I do admit to enjoying a surprise.

                Washed Out doesn’t exactly seem terribly interested in surprises. In fact, the biggest surprise I could hear from Washed Out would be a continuation of his old sound, the sound that introduced “Portlandia” on IFC (It’s All Around You). Lately a great deal of chillwave bands have shunned that moniker, with Toro Y Moi going towards a full band sound, Ducktails taking a more tangible approach, and I’m not sure what Neon Indian will do, but I’m assuming he too will try to move behind his old sound. 

                Right now only one of the nine songs is out (You and I), the Adult Swim single with Chairlift’s Caroline Polachek, is the one people have already heard. Everything else will be brand new. I hope the rest of the songs are as good as these five minutes. With further ado, I present to you the song “You and I” available for download. See the below for the rest of the track list:

Washed Out, Within and Without:

1. Eyes Be Closed

2. Echoes

3. Amor Fati

4. Soft

5. Far Away

6. Before

7. You and I

8. Within and Without

9. A Dedication

Beirut’s come back to us.

                 Where have you been Zach Condon? Have you been finishing up High School so you’ll no longer be a High School dropout? Or did you return back to the Balkans to learn more about Balkan Folk music so you can ‘indie-fy” it for culturally ignorant Americans? 

                Really, you’ve missed out on a lot by keeping a low profile the past few years. Your last album was in 2007. Back then, people were willing to wait longer for albums. I don’t know if you have enough clout to just sort of sit on your laurels the way LCD Soundsystem did or Arcade Fire did. “March of the Zapotec/Holland EP” was your last EP in the hit filled year of 2009. Compared to Animal Collective, Neon Indian and the chillwave gang, you didn’t stand a chance. 

                Maybe you missed your chance to become a giant powerhouse of music by waiting so long. Brooklyn seems to have dulled your senses. You have married, but what music have you come out with lately? I know your work on the “Realpeople” electro project might have tried to capitalize on blog house music, but otherwise you’ve been quiet, too quiet for the ravenous music-devouring hordes on the internet. You do seem to have found a niche with lonely people on the internet who play your first album over and over again on Last.fm (to be honest, most of your fan base scares me). Whoever listens to “The Flying Cup Club” on repeat worries me a tad since that album was in hindsight a tad bit weak. 

                Now I hear you may be coming out with a new album this year. A few things can be done to get your band back in shape. Get your twitter back in order. Tweet about every little aspect of each song. Make an actual twitter account, like Beirut2011. Follow Beach House’s example; make the twitter account the year you break through to popularity. Do what James Murphy did and release cryptic YouTube videos of you recording in a haunted house. Since you’re in New Mexico, perhaps you could say something mystical as you walk through the desert at night. 

                Get your website updated. I’m glad to see “Sunday Smile” is available for download, but that song came out during the George W. Bush administration. How about you give at the very least a newer MP3 to download, like a single song you’re comfortable releasing. Do you even have any new songs written? If not, just offer some leftovers and call it ‘an exclusive premier’ or talk about whatever world tours you’re doing. I’m glad you did some tours back in 2010, but this is a new year. That lazy website might work for Black Dice since no one cares about them, but I thought you wanted this band thing to be big, why else would you have moved to Brooklyn.

                It seems you have done one thing right: you got Pitchfork to do your announcements for you. They mentioned you’re touring with all those bands that make sweet money cakes and win awards. Arcade Fire might be a surrogate family for you. While the music scene has changed, they’ve stayed true to themselves. Since your music generally mines pre-existing European folk traditions, the Arcade Fire might help you out due to their unique status of being the whitest band on Earth. With all that time you’ll spend with them you could learn how to win a Grammy as well.

                Not all bands can stay true to themselves. Just as a backup for relevancy and authenticity, I’d suggest having a retro synthesizer just in case you decide to explore 80s pop music with a lo-fi sound. That’s kind of a big thing right now, so it is a comfortable crutch if you need it. I’m not saying you do, but it is good thing to have if you want to get your predominately wistful and bleary eyed (due to crying) fan base dancing.

                Think about it. I can’t tell you what to do. Only you can. Figure out how to open up in spectacular fashion. Get a ton of hype, pull a Panda Bear and tease your audience with rumors of an album. Whatever you do, just remember the internet buzz sleeps for no man. Avoid the fate of Bright Eyes. Rise above.

Does Last.fm mark the end of Indie Pissing Contests?

Before I begin I’d like to present some context. The Guinness Book of World Records was created as a way of preventing pub and bar fights. Containing some of the most inane, useless trivia known to man (longest time spent ironing, etc.) it helped limit the amount of pointless contests and brawls that occur when well-educated idiots drink too much.

All of this brings me to the site at hand. Last.fm serves as check on anyone’s purported indie cred. Whenever someone says “Oh, I listened to Neon Indian before they released the album” it is easy to check the scrobbling. Of course, if they are telling the truth, they’d have no hesitation of checking up on this.

Similar problems are resolved with this. Writing about various concerts means you were there and helps to avoid the “I saw them before anyone else”. Here you could actually say you were too tired to write a review, but people should be able to see your history. It’s just another example of the often voyeuristic nature of the internet. I mean, you can’t exactly pre-date anything on the internet, so Last.fm keeps one honest.

That’s probably one of its biggest draws. Every pissing contest, every snobby “Oh, I was there” can immediately be held up to scrutiny. Sure, you might say that you listened to it on something other than an IPOD or computer, but who the fuck does that? 

A bigger thing than keeping you honest with your music street cred is the ability to actually meet others with the same taste in music. Last.fm has people on it who listen to nothing but pure noise, all 800 of those people worldwide. It is a bit incredible how many of these tiny subsets of musical humanity can exist without sunlight exposing them for being bedroom-dwelling musicians who do this during their free time from their real job.

 Now Last.fm has grown smart on this community thing, creating a dating website. Finally that age-old problem of music snobs procreating has been solved. No longer does one have to sacrifice their coolness of knowing all the hippest bands while their significant other jams out to Barbara Streisand records. This delightful service is called “Tastebuds” and it is a small offshoot of Last.fm’s musical taste algorithms.

 Perhaps someday it may even help me find that perfect mate, so we can home school our kids and let them grow up with analog electronic keyboards. One can help. Join me on Last.fm, I’m on there, I don’t bite.

DOM – Sun Bronzed Greek Gods 6.6

Alright, this isn’t half bad but it definitely works better in a live setting, like when I saw them open for Neon Indian. Listening to their EP in my headphones the music comes off as being a tad bit contrived. 

Probably if there is a song that does make me believe that “Oh, these guys might have something good going on” it would be the wonderful “Living in America”. The melody is positively infectious and just oozes out enthusiasm. It gives hope for those who think music should be played as loud as possible. And have no doubt, play this loud. 

“Burn Bridges” offers some of the same spirit as the aforementioned song. That melody is great and imbued with pure sunshine. And the vocals are terrific, just loud enough in the mix to warm your heart.

Unfortunately, the rest of the EP is okay. It isn’t bad, but I sort of doze off at the end. They are such low energy; it is like a cool-down situation after all that initial energy. Add to that sort of a vanilla sound to the rest of it, and I’m a bit discouraged. 

Hopefully when they come out with a full offering, they will have thwarted that problem. I’m hoping that this Massachusetts group gets its act together for that, since the first two songs are absolutely wonderful.

Will “Steelywave” wash over us in 2011?

Lo-fi didn’t always rule over us with a rusty iron grip. Back in the early 2000s, there was a movement towards excessive high fidelity, up to the point of almost sheer absurdity. Part of that had to do with IDM’s fascination of perfect sound, the beginning of MP3 sharing of “bedroom musicians” and the glitch movement. Bedroom musicians used to spend inordinate periods of time on their music, making sure it sounded sure of itself and fully polished. Radio still maintained a greater importance, and you could find alternative kinds of music from major stations (though it did happen mostly at night). Glitch, although supposedly focused on digital error, ended up having some very pristine, highly processed sound.

            Now that so many bands sound like “they recorded inside a bum’s ass” there’s bound to be some sort of indie rejection of what has become a norm for so many bands. Certain bands have already caught onto this, cleaning up sound that had previously been messier, like Neon Indian on that one new song, Ariel Pink on his newest album, or Nite Jewel on her new EP. Eventually these outliers will become the trendsetters, if it already hasn’t happened.

            Part of this lo-fi came from nostalgia for the “unremembered 80s” but what about the “yet to be mined for material” late 70s? And now, I’m not talking about No Wave and Punk. Punk died. No Wave may be explored, but so far precious few bands have tackled the difficult style. I’m talking about light jazz-rock fusion, you know, Steely Dan. Steely Dan, that YUPPIE band which played the YUPPIEST of music to investment bankers and other assorted rich New Yorkers, is poised to make a giant comeback.

            In terms of comeback, I don’t mean their ghoulish faces haunting your children’s nightmares, though they are legendary for being hideous people. Instead, they might decide that now, with interest in disco coming back, light jazz-rock fusion might be next.

            How do they take advantage of this? Well, they can use their extremely obnoxious sense of humor, like they did once they sent a letter to Owen Wilson about his role in “You, Me, and Dupree”. Perhaps sending a letter to Pitchfork about how hard they suck it and with rewrites of their album reviews, to make those albums look thrilling. Basically, the heavy irony they already incorporate in their day to day lives (from being assholes) will help to build a following among young people everywhere.

            Marketing will be important, so they might want to do something to be funny and get it somewhere besides their embarrassingly bad website, which looks like it was designed by your grandfather. I’d suggest crashing a party, or acting like the creepy weirdos you describe in so many of your songs. Or just write parodies of your old songs:

“Driving like a tool out to Hackensack

Snorting coke off of a hooker’s crack”

-Daddy Don’t Live in that New York City No More

            Failing this, there’s an easier way: re-edits. They’ve already been done with equally cheesy music (disco) and you don’t have to write any new songs. Get Todd Terje to come on in, and re-edit all your songs. He can even edit out those things you hate in music, like passion, emotion, and raw talent. Instead, all that will be left is your unhip sound, made hip using technology. Think of it as a facelift for music. I’m sure your old-school fans are more than familiar with the procedure.