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Showing posts with label Italy. Show all posts
Showing posts with label Italy. Show all posts

Rocky’s Filj –Storie Di Uomini E Non 6.9


             The opening track “L’Ultima Spiaggia” says it all. In fact, it says far more than the rest of the album. While the first track is sincerely massive, with beautiful sounding bass, horns, active vocals, and interlocking grooves, the rest of the album seems timid in comparison. Despite suffering from being very front-loaded, the other songs aren’t dreadful. 

                “Il Soldato” works as a counterbalance to the opening track’s energy. Horns are subdued, and there’s some wonderful violin work as well. Quiet is emphasized instead, to equally great affect. Each pluck, each guitar can be heard clearly. 

                Rocky Rissi is a fairly decent singer. While not possessing an extraordinary voice, his delivery is somewhat unique. Plus, his instance of singing in Italian sits well with me, since so many progressive rock bands tried to sing in English in order to gain a larger following (bands like Faust, etc). I like their honesty.

                Overall, the rest of the album takes some sinking in work. The first track is an instant winner, the others require more elbow work on behalf of the listener, but they can often be worth it.

Massimo – Hello Dirty 8.4

 What ever happened to this Sicilian guy? Anyway, Massimiliano Sapienza absolutely knew that noise music needed a much needed boost. Usually, most noise artists have to pick between being overly academic (Yasunao Tone) or overly juvenile (Cock E.S.P). Straddling both sides of the divide, Massimo shows a real talent for form.

The dirty aspect might be seen in the tasteful album art. Or it could also be seen in some of Massimo frame of reference (using pop rock bits, dance bits, thrown into the mix). But he displays a surprising amount of agility in handling the transformation of the songs through his excessive use of volume and bass. 

Right from the get-go you hear the song roaring up into almost unbelievably loud noise. But then, a stop occurs. He uses the silence as a way of messing with your head in this first track, to shock you, much like John Wiese’s album “Soft Punk”. Nor is this sort of stop-gap limited to the first track, he employs a few different times to great effect. 

Using guitar riffs makes the music recommendable for people unaccustomed to this sort of sound, particularly on tracks 3 and 4. Obviously you might want to ease your way into it volume wise, but I do advise listening to it loudly on headphones. That way you get the overwhelmed sensation that he’s clearly striving for. 

Finally, at the end we get a dance beat through as much distortion as he can muster. He allows the samples to still be decipherable. But the sheer brilliance comes at the end as he allows the sample to continue. And then it ends. 

 If someone wanted an introduction to noise, this would be a good place to start.

The Road **Warning: Spoilers** **Warning: Sucks Hard**




Usually for movies, I have one of two options:

1.       Mock it by re-writing the summary. Usually this means I either haven’t seen, or am familiar enough with it to ruin the actual movie’s premise. 

2.       I thoroughly enjoyed it and want you to see it as well.

I’m not much of a movie person though, so if you ask me if I’ve seen a certain movie, my answer tends to be “No”. Not sure why this is, I attribute it to the general blandness of movies. They either possess the same qualities they always have solved in roughly the same manner. Rarely is there a movie so uniformly terrible that I have to warn you.

“The Road” is such a movie. Adapted from a book that reeks of pop-culture awfulness, the movie only expands on this weary cliché of survival following the apocalypse. Generally I’m a big fan of the end of the world, and zombies in general, enjoying their campy nature. Nothing in the movie is remotely like that; it is an absolute bore of a movie.

                After the end of the world, a father and son trudge through the wrecked hell scape of this world, searching for meaning. Somehow they turn a story about the end of the world and cannibals into a father-son bonding film. The dialogue revolts me, it is so inauthentic. Constantly he refers to his father as “Papa”. Obviously these two are from Italy in the 19th century, because people rarely, if ever, speak this way. 

                Maybe I’m just nit-picking, but when there’s so little dialogue in the movie, you’d expect the little that’s actually there to be good. Sadly, that’s not the case, and if the dialogue wasn’t bad enough, you get to hear the father’s internal thoughts, which are uninteresting as well. What makes this almost forgivable is the beautiful, gray, bleakness that the landscape achieves. It is so devoid of life, it is excellent. Shame it is just the background to this miserable bonding movie disguised as ruminations on the end of the world.

                Honestly, I saw this with friends who read the book. They told me the book is better. I doubt them. Upon saying how much they enjoyed the book, they told me it helped them get over losing their IPOD while they traveled in Italy. If you need to think about the end of the world in order to realize that the loss of an IPOD isn’t a big deal in the grand scheme of things, you have serious problems. 

                Everything in the movie is so annoying wimpy. Yeah, I know, it’s a bonding film, but there’s so little to enjoy. It is as if he took the two genres I like (end of world and zombie) and bled them dry, leaving a dried out carcass. Maybe some of Cormac McCarthy’s other stuff is better but this story doesn’t convince me of that. Or, more likely, the director completely butchered the shit out of the book, kind of like what the cannibals do in the movie. 

                Below are some various screenshots from the movie. I’ve added Tao Lin’s trademark phrase ‘Seems Bleak’ in an attempt to lighten what is otherwise a fairly worthless movie. Hopefully the powerful picture coupled with the distant phrase will make you think about the light-hearted goofy nature of a burned-out shell of society, like Detroit. 
















Rules for dealing with the Westboro Baptist Church People


               Occasionally I try to give out important social skills to improve your life. Whether it is how to act at Karaoke, getting a MIX CD together, or just learning more about writers, I guide you through this crazy world we live in. Believe me though; nothing is crazier than the Westboro Baptist Church.

                Here a group of people have made a career out of pissing people off. Not just by thumbing their noses at you, but by protesting at funerals for fallen soldiers. Each time someone attacks or assaults them, or in any way bothers them, they sue. An entire legal practice has been made off of their idiocy, the Phelps Charted Law Firm. Great deals of money are generated by this, literally hundreds of thousands of dollars. Basically, they support themselves by being the world’s biggest in-real-life trolls. 

                Their insanity would be funny if they weren’t so serious about it. Some of their targets are absolutely abhorrent, such as their insistence of protesting at Marines’ funerals. Basically, they are internet trolls if internet trolls had a $200,000 traveling budget and a couple of sign holders uttering complete nonsense for a couple of hours. 

                Other targets of theirs appear to be almost nonsensical. Sweden draws their ire, as does the Italy, which they call “mobster-breeders”. The language at times becomes so intense, so hateful, that one wonders if they even are a church or the most obtuse concept art known to man.

                Below are a few ways of dealing with them that hopefully will limit your intense disgust at these foul-mouthed losers from Kansas.

1.       Do not get too close – Many of their successful lawsuits come from people assaulting them. I mean, if you see a couple of jerkoffs who traveled halfway across the country to protest at your best friend’s funeral, you’d be bothered too. Avoid physical contact

2.       Keep your cool – No need to rile them up. Keep in mind these are just words, and, while deliberately made to be as hurtful as possible, they can’t actually physically hurt you. If you try to threaten them or in any way bother them, they’ll leave. 

3.       Make out – Uh, if you were a part of a giant, cult-like, hate-filled family, imagine how angry you’d be if you saw other people making out. That’d annoy you, I’d imagine. Bring a boyfriend. Bring a girlfriend. Bring multiple friends. Kiss in front of them, effectively melting their hearts (just kidding, but your love will counterbalance their hate to some degree).

4.       Not Today, Fred – This is a great sign. Fred Phelps heads up whatever you want to call them (they aren’t a church since no church recognizes them as such). Let him know you’re not okay with him today. My God loves everyone. 

5.       Raise money – For every minute they protest, have people contribute money. You’d be surprised how energized an 81 year old man can be by hate alone. Usually there’s a few of them, I guess they take turns protesting everything on Earth.

6.       Make a website called “Godhates____.com” and refuse them the weblink – This is a good idea. They have websites like “GodhatesAmerica.com”, “GodhatesSweden.com”, and so on. Block this problem. Create sites like “GodhatesBelgium.com” or “Godhateslefthandedpeople.com” or “Godhatesitwhenpeanutbutterstickstotheroofofyourmouth.com”. Creating these limits the amount of websites they have, or at least bothers them. Apparently one of the members of this cult is fairly skilled with website layout. I have zero idea of how that happened. 

7.       Counter-Protesting in General – Every time I’ve counter-protested some ridiculous group (something that happens quite often in New York) I’ve ended up meeting great people. So while they are awful, countering their arguments is fairly easily. You know, you just might make a new friend.

8.       Call a couple of Motorcyclists to Protect you – A motorcycle club who acts as a buffer between the Westboro Baptist Church and normal people. They go around the country, helping others just like you. The Patriot Guard Riders are a great group of peoples. 

9.       Ignore them – This goes under the age old advice to dealing with internet trolls: don’t feed the trolls. By paying attention to them you encourage their behavior. If you’re unable to do this, to ignore their awfulness, feel free to use the other tips.

10.   Go to the UK – They can’t go there. Under the UK’s quintessentially English-named law “Least Wanted List” they are barred from ever entering the country. 

Basically, ignoring them is the best strategy. Some have posited the idea that he doesn’t care at all about what he protests against. None of this protests are against a particular person, just a group, idea, or country. Since Westboro Baptist church is such a nutty group, see the following link about their existence as a profit-making entity: The Theory

I hope this list gives you some way of coping with the distress they cause.

Giuseppe Ielasi – Aix 8.4


Giuseppe Ielasi had dealt with drones up until this point. Most of them he showed a particular knack for, not just being engaged in the technical details of it, but the emotional core. With Aix, he continues down this road. 

Born in France, the album comes across as a more random version of Jan Jelinek’s “Loop-Finding Jazz Records”. Unlike Jan’s work, this isn’t as smooth. Noises of zips, aerosol cans, pieces of piano, cut up drones, and whatever else he could get his hands onto are thrown into the mix. Despite this apparently odds and ends collection of sounds, it comes across as a spry little album.

Looking at the album cover, you get a sense of what is in store for you. The bright colors and patterns should prepare you for the music. It is playful, fun, and even includes rubber bands. A rhythm does exist through most of these tracks, though it may be a bit more syncopated than expected for electronic music.

None of the tracks are titled. All are anonymous but each one has its own distinct texture. The opener is great, offering the barest of ingredients; it presents its soul out flatly to the listener. Other songs use even quieter songs to get the point across, it helps to have quiet surroundings and good headphones for this stuff, like for most 12K stuff. Track 8 in particular is beautiful, including a harp, guitar, and horns from far away.

I enjoyed this. This proves how academic exercises can bear fruit emotionally. Even though the sources are vast, there’s not Matmos-like showing off at any point. Rather than having the sounds as gimmicks, they are pieces of the whole.

~Madonna For Dolce and Gabbana Spring 2010~

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"I sometimes think I was born to live up to my name. How could I be anything else but what I am having been named Madonna? I would either have ended up a nun or this." -Madonna


Madonna has done countless photo shoots and starred in endless campaigns but this campaign for Dolce and Gabbana Spring 2010 maybe my favorite. Why? She looks real and natural, not overly done or buried under special effects. And she's never looked better. I love the authentic Sicilian feel of the photos and I swear if I didn't know better I would think these pics were taken in one of my relatives houses in Sicily rather than shot by Steven Klein in NYC. Dolce and Gabanna definitely accurately represented their Sicilian heritage for this campaign... And this "LaBella Puppetta" is loving it...xoxo


The images are to be published in Italian Vanity Fair this week...



Pix courtesy of the uber-fabulous "Just Jared"

Kisses Bitches...
Glamour Whore...xoxo

~Karl Lagerfeld Shoots 2010 Calendar For Italian Marie Claire~

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"I'm not a marketing person. I don't ask myself questions. I go by instinct."
-Karl Lagerfeld

Is there ANYTHING Karl isn't good at?! Uncle Karl shot Italian Marie Claire's limited edition 2010 calendar which will be sold at Italian newstands and did a fabulous job...surprise, surprise.



Kisses Bitches...
Glamour Whore...xoxo

~"Cinema Italiano" Kate Hudson And The Super-Star Filled Cast Of "Nine"~

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"You may have the universe if I may have Italy." -Giuseppe Verdi

"Nine" the much anticipated film by Rob Marshall about Italian film director "Guido Conti"and his many complicated relationships. The movie, set for release on Christmas day, is filled with star power. Daniel Day Lewis portrays Conti, and my #1 idol and inspiration Sophia Loren has a starring role as well as Penélope Cruz, Marion Cotillard, Nicole Kidman, Judi Dench, Stacy (Fergie) Ferguson, and Kate Hudson. The late, great Anthony Minghella is listed as a screenplay writer.

That is a whole lot of star wattage.

Some set photos have been released and I think it's safe to say, this a is a very fashionable movie... Very visually pleasing to "Glamour Whores" like myself. And of course the fact that it set in Italy is icing on the cake for this authentic Sicilian girl.

From the photos and the sneak peek video (which I will be sharing with you:) I honestly feel like "Nine" is my now one of my very favorite movies...that I've NEVER seen. It's the best I've never had... The hair, makeup and wardrobe is PHENOMENAL. I am such a sucker for glamour...and this movie oozes glamour. I can't take it...

I'll share the video first...

Kate Hudson performs "Cinema Italiano" in the film and I have to ask... Who knew?! Who knew Katie could sing and dance like that?! And she did it while looking utterly AMAZING!! I have dabbled with being a Kate Hudson fan for years but after this...sign me up for her fan club. Bellissima Kate!!

Amazing right?!

Ok, now the photos... The glamour almost jumps out at you. I just can't take it...





Can't wait for Christmas Day...

Kisses Bitches...
Glamour Whore...xoxo